Visiting Auschwitz was a profoundly emotional, yet strangely analytical experience. Your senses and mind struggle to comprehend the unimaginable atrocities that unfolded there.
Being physically present in such a place heightens your awareness in ways no history lesson ever could. But sometimes, a single image can evoke emotions almost as powerfully.
Since that visit, I’ve often felt haunted by echoes of what I witnessed. Evidence of this haunting continues to surface.
Shortly after our trip to Poland, I watched A Real Pain, a film about two Jewish cousins, David (Jesse Eisenberg) and Benji (Kieran Culkin), on a Polish heritage tour. While the film is mostly a comedy, their visit to the Majdanek concentration camp bore an unsettling resemblance to my own experience.
Not long after, The Zone of Interest was released. The film focuses on Auschwitz commandant Rudolf Höss and his wife Hedwig, who live a comfortable family life just beyond the fence of the concentration camp. In their home, domestic routines play out against the distant backdrop of prison sounds and the ever-present specter of death.
More recently, I read a review of Lily Tuck’s book in the New York Times. The book, inspired by a single photograph of a 14-year-old girl, imagines the life of an inmate before and during the Holocaust. That led to my expanded interest in the holocaust.
Then came Holocaust Remembrance Day, marking the 80th anniversary of Auschwitz’s liberation. Media coverage was filled with stories from the few remaining survivors, all children during that horrific time. Their voices served as reminders that the past still lingers.
Ghosts don’t need to appear physically to haunt us; they are far more subtle. The echoes of the dead surround us if we care to look and listen.
My Goodreads Book Review: The Rest is Memory
It was less than a year ago, on a heritage tour of Poland, that I had an opportunity to visit the Auschwitz-Birkenau Museum. That visit was still fresh in my mind. So, when I learned of Lily Tuck’s new book “The Rest is Memory,” a portrayal of a young prisoner, I immediately dove into the book to see if it could provide a perspective of what it was like as a teenager to experience this manufactured hell.
Visiting Auschwitz is an otherworldly experience. The tour is an extremely efficient, almost military process, led by knowledgeable docents who lead you through various buildings and exhibits. The guide touches on who was imprisoned there, how they were treated and the unfathomable amount of death and destruction that occurred. The fact that over a million prisoners died in this one camp, the great majority between just 1942 and 1944, is hard to comprehend.
To see my personal remembrance of the tour click here.
There is a special quiet and solemn feeling shared by all throughout the tour. Occasionally, you would hear someone in the tour breakdown in tears. But, most of us were absorbed in trying to comprehend what happened and how we could reconcile that with our understanding of humanity. Our tour guide explained in simple, cold terms the operation of the camp and how a prisoner might live and die here. The grounds and exhibits were obvious evidence of the holocaust.
Seeing prisoner ID portrait photos on a wall was my most vivid memory. They personalized life in a concentration camp. No photo could even begin to tell the story of what a person went through, although they looked like they knew what was ahead. However, there were some survivors, including the camp photographer, Willhelm Brasse, who managed to save 40,000 photos along with his memories.
The Rest is Memory is a story of the star-crossed life of Czeslawa Kowka, a 14-year old female prisoner, who’s camp portrait became an obsession for Tuck as she imagined what it must have been like for her. It is told in a style that recalls my Auschwitz tour guide’s careful, factual and unemotional telling. The language is sparse and almost banal. There’s no need here for elaboration or exaggeration when imagination based on facts is a more powerful agent.
Czeslawa’s personal story is necessarily made up by Tuck. Czeslawa was tattooed as prisoner number 26947 and immediately lost her identity when she arrived in Auschwitz in 1942. There is little trace of her real life, except for a few basic facts like birth date (August 15, 1928), internment date (December 13, 1942) and death (March 12, 1943). Tuck appears to have looked back at her hometown area and constructed a possible tale of a normal life before the Nazi invasion. Its a life of a pre-war ordinary teenager with a romantic interest in Anton, an older guy with a motorcycle. She’s close with her mother Katarzyna, friends, community and church (she is Polish Catholic). Although she has an abusive, distant father, she has an enjoyable life and a promising future, maybe even as a teacher. All this will be violently taken from her within a couple of years.
Tuck seems just as committed to telling the horrific story of how the Polish people were completely controlled and abused. The Nazis declared war on Poland in September 1939 and in twenty-six days gained full control of the entire country. Hitler declared “The destruction of Poland is our primary task.” Germany needed “Lebensraum” (living space) for its survival and expansion. Most of the populations of Central and Eastern Europe would have to be removed permanently through mass deportation, extermination, or enslavement. The country of Poland was to be resettled with Germans.
Czeslawa lived in the small town of Wólka Złojecka outside of the historic eastern city of Zamosc. This area would be among the first to be repopulated in 1941. Over 110,000 would eventually move. She and her mother were forced off their farm with other women and eventually sent to Auschwitz to do forced labor. We learn her father (Pawel), uncle and other farmers in her village are shot and buried in a mass grave. Her would-be boyfriend Anton escapes on his motorcycle only to be beaten, imprisoned and die in Russia. Even though Russia fought Germany, it also had its designs on Polish territory and inflicted its own cruelty on the Poles. There appeared to be no escape for the Poles.
The book alternates timelines: from a broad historical view, to the innocent mind of a young girl before all this happens and then to the mundane sadness of a prisoner of which there is no hope. Although we don’t dwell on the suffering it seems to be everywhere. If you juxtapose that with the privileged life of the SS guards and their Commandant Rudolph Höss, it becomes hard to imagine a crueler place.
Pleasant and unpleasant memories are all that are left for Czeslawa. Occasionally, there are flashes of what might have been. Dreams of food, friends, wizards, dragons and even dogs are all warped by the environment where scarcity is everywhere and hope is nowhere to be found.
The book weighing in at 112 pages is a blessedly short read. My normal reading self would have craved for more details. But, I think in this case, Tuck sets the limit on what we need to know. For me, reading The Rest is Memory was like re-visiting Auschwitz. It is not a pleasant experience but a re-awakening of my senses and imagination. Unfortunately, we see many of the same cruel signs of those times around us today. Its always worth considering what are the limits of humanity and acknowledge that if it happened once, it can happen again.
The above review was published on Goodreads which can be accessed here.
My Plan C 